Adoring Florence Pugh is your newest and largest source for everything about Florence Pugh. You may know her for her role as 'Amy March' in Little Women that she got a best supporting actress Oscar nomination for or more recently in the MCU as 'Yelena Belova' in the hit movie Black Widow and the TV Show Hawkeye. Here you'll find all the latest news, videos, interviews, high quality photos, and more.
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Vanity Fair – Florence Pugh on Authenticity, Dune 2, and the Thrill of Having Such “Sparkly” Friends

vanityfair – Florence Pugh is coming off of her biggest year yet. The actor, who appears on our 2023 Hollywood cover, toplined the erotic thriller Don’t Worry Darling to a number one bow at the box office, earned raves for her starring role in Netflix’s period mystery The Wonder, and filmed both Oppenheimer and Dune: Part Two—among the most anticipated releases of 2023. So yeah, her next 12 months are looking pretty good too. And Pugh will have a new Marvel movie, Thunderbolts, out in 2024.

It’s been an astronomical rise for the English actor, who tells Vanity Fair she knew she wanted to be an actor since she was a kid. She’s since navigated celebrity with the kind of warmth and wit that characterizes a true rising star. With overnight fame—and the rare controversy, which Pugh will never grant much attention—comes new lessons about how to approach everything from social media to career choices. Excerpts from a conversation about life and work.

Vanity Fair: You’ve had a huge year. How far ahead do you try to strategize?
Florence Pugh: Working with Marvel has helped hugely. Their schedule is so precise—they know when they’re going to make it, when they’re going to release it. What that means is if you want to fill your time with other things, you have to do it amongst that. You’re able to have a lot more leeway: “Oh, I’m going to be away doing this for this certain amount of time, so I need to make sure that I can get in a little indie here, or do a play.” So that’s what I’m trying to do now. With this year, I went into the year willing it to make its own thing, and didn’t have any projects specifically lined up—like, hopefully there would be one special big thing or one special little thing. And lo and behold, I got Oppenheimer and then I got Dune. That all started making its image of the year within the first four months or so.

With Dune, I’m curious about working with other actors of your generation who are of a similar profile. Did you find certain elements of commonality or shared experience?
It’s actually an interesting point because for the majority of my career I’ve worked with lots of older actors that I’ve had to pinch myself for working with. I’ve learnt a lot just by watching. To do Dune with those specific actors at the front, like Timmy [Chalamet] and Zendaya and Austin [Butler]—they are remarkable people, number one, and unbelievable actors, number two. They’re stars in their own ways, not in the cliché way of using the word. They’re just—they’re sparkly people. I’m now lucky enough to call them all my friends, which is super exciting. For me to be able to work with the “young Hollywood” of the moment, and them being beautiful people, and then have them on my phone when I want to text them—to see that that’s the direction in which our industry is going is such a wonderful feeling.

Your Instagram is one of the most beloved, I would say, in the industry. How did your use of social media evolve last year, as you were put under a microscope like never before?
The more follows you get, the more aware you are of what it is that you’re saying. Not that I say a lot of bad stuff, but not everybody understands who you are when they start following you. I noticed this with Little Women. I suddenly got all of these followers when the movie came out, and prior to that, I’d been my own person on Instagram, doing my own stupid videos, and everybody that had been following me for how many years understood that. Then you get this new wave of people coming in who don’t like the way that you are—suddenly you’re not just owning an account for yourself, you’re owning an account for millions of people.
You have to say the right thing, you have to post the right thing, you have to be all of the above. It does become more of a stress than it used to be. If my head and heart are hurting for no other reason other than just anxiety, I take it off my phone from the moment I can feel that anxiety. I don’t need to be reading all of that stuff, and I don’t need to be egging myself on to read it either. My relationship with social media has become more understanding of when it helps me and when it doesn’t—being okay to just take it off for a few days, or a week, or a month.

To read the rest of the interview click on the link at the top

Puss In Boots: The Last Wish – Press Junket Newsround

Vogue – Florence Pugh’s Radical Self-Acceptance

Harper’s Bazaar – Does anyone else want one?” Florence Pugh calls out from behind the kitchen island where she has been mixing martinis. She is dressed a little absurdly, and very formally, for a kitchen, in a clinging vermilion Alexander McQueen dress and heels—an ensemble she has put on for the sake of a Vogue video crew that is having her demonstrate some of her favorite recipes: a vodka martini with a twist in a chilled glass and a cherry tomato crostini with lots of garlic and a bit of chopped chile pepper. She has made sure to cut up the baguette before she gets started on the drinks (not her preferred sequencing) so that the slices have a chance to toast in the oven. The flat of the carving knife descends on a clove of garlic; it doesn’t stand a chance. A rogue cherry tomato rolls off the cutting board; she leans over the counter and spears it with the tip of her knife. This is a woman at home in a kitchen, even one illuminated by set lights and framed by a boom mic.

Pugh at 26 is the kind of actor—thrillingly talented, coming off a series of stunning performances, and with compelling projects ahead of her—who is not just supremely comfortable in her skin, but also charmingly game. Perhaps it’s more precise to say she is the kind of person who exudes a let’s-go gameness. Give her a cocktail to make and she will fix you one too. If the cooking demo films through lunch, she’ll make sure the entire room gets a taste of what she’s making.

“Anyone?” she asks, offering the martini again. I slip outside the room for a moment, and when I return, a few chilled glasses have found their way into the hands of those on the other side of the camera. When the video wraps, she changes into black jeans, chunky Naked Wolfe boots, and a white T-shirt with an image of a grinning tongue-out mouth at the breast—a bit of Bon Iver merch she’s had for years. She is about to depart when she realizes she hasn’t sufficiently thanked the crew. “Thank you, thank you,” she says, rushing back in.

Once we are settled in a car, rounding the southern tip of Manhattan on the FDR Drive, she confides that she’s never cooked without music—Kate Bush, Spanish musician Rita Payés, Glass Animals—the volume on full blast. “When I do ‘Cooking With Flo’ ”—the friendly, improvisational cooking demonstrations she has posted on Instagram for the past few years—“I just have a fun time,” she says, laughing. “I’ve never done it with, like, 25 people looking at me, saying, ‘Do the thing!’ ”

The skies are ominous, but our destination is fortunately indoors: a Brooklyn weaving studio called Loop of the Loom where we can indulge in a different type of hands-on creativity. There we will be instructed in the art of Saori, a weaving style founded by a midcentury Japanese housewife that embraces the imperfections of cloth made by hand. The idea is to let our instincts lead us, and emerge, perhaps, slightly more enlightened, with appreciation for all that makes us unique. “After one hour,” the owner, Yukako, had told me, “you will be a new person.”

To read the rest of the interview click on the link at the top

Florence Pugh Reads To You ASMR – The Wonder

Sit back, relax and enjoy the dulcet tones of Florence Pugh as she reads Emma Donoghue’s haunting psychodrama The Wonder. In this section, English nurse Lib is briefed to watch over her new patient: an eleven-year-old girl who claims she hasn’t eaten a single thing in four months, but remains miraculously

Florence Pugh + The Cast of The Wonder On Having The Craic in Ireland

Florence Pugh, Kíla Lord Cassidy and Elaine Cassidy discuss their experience of Irish hospitality, cuisine and Guinness (of course!) while shooting The Wonder in County Wicklow.

Florence Pugh – ‘Puss in Boots: The Last Wish’ Interview

Flo On Late Night With Seth Meyers

Flo’s first stop in New York was to be a guest on the Late Night With Seth Meyers talk show to discuss her new movie The Wonder, her gran and how much she now loves doing events and is now getting fan gifts, what Flo does for thanksgiving and what is next. You can watch both parts of her interview below and all screen caps and episodes in the gallery.

ET Canada – “The Wonder” UK Premiere

Florence Pugh hit the red carpet for the London Film Festival premiere of “The Wonder” where she not only spoke about her connection to her character in the film, but shared her “incredible” time shooting “Dune 2” with Timothee Chalamet.

The Independent – “The Wonder” UK Premiere

On Demand Entertainment – “The Wonder” UK Premiere

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